The Gardner
The Gardner

The Gardner

Sinossi

Fertilized by the actions of the past, the Lencastre family appropriates a dubious environment; it is the duty of the new gardener to manipulate such opaque lands to bring spring, or at least try to.
16+In corso~5min di lettura

Scritto da

Vedi profilo

Jean Claude (Edgar Varenberg), 21 anos Estudante de Letras/Literaturas da Universidade Federal do Rio de Janeiro. Também atuo como professor de língua portuguesa e literatura. Sou um poeta de coração gelado que também é um ótimo confeiteiro e aspirante a dublador. Responsável pela seção de Português e pela Liga dos Betas.

Raccomandazioni

0

Sii il primo a raccomandare questa storia agli altri lettori!

Altri simili

"The fire in the hearth never truly goes out. It merely waits for new firewood." Apparently abandoned, this old mansion harbors countless horrors, and those who dare to explore its secrets may discover that the greatest danger lurks not only between its walls, but also among themselves. Whether because they received a mysterious invitation, because a friend disappeared, or simply out of curiosity to explore the manor, everyone will eventually discover that, inside, nothing happens by chance — except, perhaps, the arrangement of the rooms. If they want to survive, they will need to pay attention to every detail and unravel the residence's greatest secret before it is too late. But one question remains: why, with each new visit, does the fire in the hearth seem to burn more intensely?

The world has ended. There is no future left on the outside, nor humanity waiting to be rescued. What exists is a reality preserved by the will of a single person who keeps the memory of the world and everything that remains of humanity. The problem is that not everyone agrees that this existence should continue... Eine, a survivor of the catastrophe that destroyed human reality, dedicates her existence to ending the last traces of the people who were once at the center of these events. But, being unable to interfere directly in a dream that still continues, she must find hosts among the people who inhabit it. Her new attempt is Claire Williams. At nineteen, Claire has very ordinary concerns: university, the debts she took on to study, and the future she believes she is building. Now, however, she shares her own consciousness with a young man who knows a reality she cannot accept. As the boundaries between memory and existence begin to dissolve, those who walk between the two extremes will have to confront a question for which there may be no right answer: when the world has already ended, what does it mean to keep living?

There is a kind of silence that weighs more than any war cry. It is the silence of the gap between the oaks across the frozen ground, the steam of a soup shared only with longing and the constant fear of waiting for someone who may never return. In Patavium, Aemilia became the lady of a home haunted by uncertainty. Torn between the relentless responsibility of governing the land and the intimate torment of not knowing her husband's fate, she refuses to succumb to despair. To protect the property and those who depend on it, Aemilia will have to find strength where only solitude remains, proving that dignity and love can be shields as sturdy as iron.

Some doors, once opened, can never be closed again. Helena is in no hurry, nor is she afraid, and she does not let herself be swayed by pretty words. But every rose has its thorn. When two such different presences cross her path, she will discover that it is not possible to keep everything under control at all times. One calms, the other sets ablaze. One is shelter, the other is storm. For even the gentlest calm holds a flame, and within the storm itself there is already a harbinger of tranquility - each heart carries within itself both the flame and the breeze that can extinguish it. Be careful not to lose yourself. The labyrinth is yours, and only you will find the way out.