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Vedi profiloNão sinto falta de paixão, e nem de sonhos, não sei se será pior quando eu resolver de vez as pendências a...
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DrabbleSEM ENIGMA, PARA VOCÊ
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BONECAS SÃO PARA MENINAS?
M. Ã. E.
VOCÊ GANHOU
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Statistiche della storia
Scheda tecnica e aggiornamenti
Prima pubblicazione
4 de outubro de 2015
Ultimo aggiornamento
31 de outubro de 2015
Stato editoriale
Completata
Lingua
Português (Brasil)
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"There are knocks on the door, laughter and bells ring; some call, some ask, and the weather heats up, like chambermaids who seek to investigate the room and dragons who seek to feed on what remains of some tired and fateful philosophy. Crisis - water crisis in the soul."
What would happen if one day you came home and she just didn't exist anymore? What would happen if an old routine acquaintance didn't recognize you? So it happened with Cancer, an insecure protagonist who has always been a supporting player in his own story. After losing much more than his home, he decides to wander the city, not knowing that the present and the past will do everything to remind him that the time will come to make a crucial choice: is life or death more valid? Meet an oppressive system, the hidden beauties and a protagonist who tries to understand the world he lives in. Allow Cancer to tell his story. “We have made reflection synonymous with pain, because we have closed our eyes to so many adversities that it is difficult to realize that we were capable of it. Pain makes people run and hides the serious observation: as long as the reason for the peculiar pains is not faced, they will persist like a weed that insists on being born”. — David Filho
A forbidden immortality spell went wrong and turned three great and powerful mages into precious stones. Twelve years later, in the City of Vãnagô, a boy named Hãnssai, who was raised by a gang of cruel loan sharks from birth, makes a promise in the dead of night that will change his destiny forever. Discover the mysteries and secrets of the Kingdom of Vãnagô.
Clara dá aulas de português para estrangeiros e faz magia desde pequena. Joana só sabe da primeira parte. Até aparecer para um café dizendo que visitou a escola onde a amiga trabalha, numa cidade que não aparece no mapa. A primeira pista está num material didático: alguém está ensinando pessoas comuns a encontrar lugares mágicos sem explicar o que vão descobrir. Os percursos levam a uma biblioteca fechada, documentos alterados e moradores que não querem ver suas casas transformadas em cenário de exercício. Com a confiança da amiga abalada, Clara precisa descobrir quem está distribuindo aquelas instruções e por quê. E explicar há quanto tempo vinha deixando Joana do lado de fora.
A photography student opens a metal box forgotten at the back of his grandfather's closet. Inside: old negatives, notebooks his grandfather never let anyone read, a sheet music dedicated to someone no one in the family knows, and a little red beanie that, after thirteen years stored away, is still warm. The grandfather can no longer travel. The answers stayed in the North, in a village that may not even exist anymore. So the grandson goes in his place, in the middle of the Círio de Nazaré, with a camera, a best friend who refuses to stay home, and the feeling that some photos hold more than they show. Twelve photos. Eleven empty places. And what was left out of the frame.
For years, Lídia Sampaio considered the dogs of Jacarandás Street an assault on civilized coexistence. So when a morning dawns without a single bark, her first reaction is gratitude. The gratitude, however, does not last long. In Vila Olaria, animals begin to disappear, inexplicable marks appear on the walls, and certain houses begin to harbor spaces that should never exist. While the residents seek explanations reasonable enough to continue their routines, Lídia discovers that there are far worse inconveniences than a noisy neighborhood. Between supernatural horror, everyday absurdity, and the melancholy of small absences, the tale investigates what we have learned to ignore, especially when its warnings blend with the usual noises of life.







