João Pedro

How is hell? Does anyone out there know? I just know that I don't want to know so soon and preferably never, but did you know that every culture has its version of the world of the Dead? Well, before anyone walked on water and went down to the mansion of the dead, there was Hades. The great Greek god who inherited the dominion of the underworld. I have in my possession one of the oldest translated Greek scrolls, donated exclusively to me by Hecate herself, who tells how he created his world and I'm willing to share it with you, I hope you like it.

João Pedro

I don't think longing is a feeling we should give any importance to, but I know how much it hurts even more when you lose someone you love as easily as I did. If you're patient, stay and listen to my story, my name is Milozinho, I'm the kitten who had two kittens.

Cap lucasNuovo Autore

The summer of 1989 promised to be just another one among so many. Six friends, about to leave school behind, decide to escape the routine and the bittersweet goodbyes with an improvised trip. The destination: an isolated cabin, lent by Adam's uncle, hidden deep in the Blackwood Hills forest. A perfect place to drink, laugh, and enjoy their youth, far from everything and everyone. The isolation seems like paradise. Noah's old van crosses the dirt road, the lake reflects the light of the setting sun, and the promise of peaceful days welcomes them. But the Blackwood forest is not just a silent backdrop. It is ancient, jealous, and has its own rules.

jonasexistiu

For years, Lídia Sampaio considered the dogs of Jacarandás Street an assault on civilized coexistence. So when a morning dawns without a single bark, her first reaction is gratitude. The gratitude, however, does not last long. In Vila Olaria, animals begin to disappear, inexplicable marks appear on the walls, and certain houses begin to harbor spaces that should never exist. While the residents seek explanations reasonable enough to continue their routines, Lídia discovers that there are far worse inconveniences than a noisy neighborhood. Between supernatural horror, everyday absurdity, and the melancholy of small absences, the tale investigates what we have learned to ignore, especially when its warnings blend with the usual noises of life.

jonasexistiu

In Santa Amélia, the last trip of line 86 crosses the border between the known world and the existences that, for some reason, were left on its margins. For seventeen years, Marta Amaral has driven this route, coexisting with passengers for whom time, death, and reality itself seem to obey particular rules. The Passengers Who Never Got Off explores memory, grief, motherhood, and the desire to recover what life has taken from us. In a universe where abandoned possibilities continue to exist, the story investigates the limits of belonging, the consequences of our choices, and the difficult coexistence between love and loss. Between the absurd, melancholy, and supernatural horror, the narrative finds in the small everyday intimacies some of the most unsettling questions of human existence.

Pablo Barbosa

O livro conta a história de uma criatura mística, totalmente voraz, forte e ágil, criada por uma bruxa (sua mãe). Pois naquela época, 1960, atos de bruxaria eram castigados de forma cruel e severa. Nisso, ela cria esse monstro para acabar com aqueles que caçam às bruxas...