RedSaturn

In his eyes, there is a permanent weariness. A regret that is already part of her. She would like to be somewhere else, although she doesn't feel like being anywhere. I never meant to hurt her, but she's beautiful when the time comes.

AnonimamenteNuevo Autor

Some doors, once opened, can never be closed again. Helena is in no hurry, nor is she afraid, and she does not let herself be swayed by pretty words. But every rose has its thorn. When two such different presences cross her path, she will discover that it is not possible to keep everything under control at all times. One calms, the other sets ablaze. One is shelter, the other is storm. For even the gentlest calm holds a flame, and within the storm itself there is already a harbinger of tranquility - each heart carries within itself both the flame and the breeze that can extinguish it. Be careful not to lose yourself. The labyrinth is yours, and only you will find the way out.

Moonday

Nicolas has always been a difficult child to keep up with. At five years old, he has energy to spare, an appetite that seems endless, and a collection of questions that his mother doesn't always know how to answer. Lately, however, some things have begun to worry Jaqueline. Her son complains of pains that no one can explain, spends restless nights, and displays behaviors that are increasingly difficult to understand. Between appointments, tests, and medical recommendations, she tries to find an explanation. When an incident in a class leaves another child seriously injured, Jaqueline begins to fear that she is missing something important. She just doesn't imagine how right she is.

santozzNuevo Autor

A ideia do livro é contar a história de duas pessoas que construíram uma conexão especial, mas que, entre escolhas, circunstâncias e sentimentos não expressados, acabaram se afastando. Uma história sobre amor, saudade, lembranças e a dificuldade de aceitar que alguém tão próximo pode se tornar tão distante.

dgwoman

Enquanto tenta ajudar a família da Tia Fátima depois de um crime, Elisa se vê dividida entre abraçar o passado ou abandonar o futuro. Aos 17, tudo parece intenso. É preciso encontrar um lugar pro nosso coração descansar. Seja na escola, na igreja ou num garoto tímido e fofo. Ou talvez numa praga que cheira a maracujá.

jonasexistiu

In Santa Amélia, the last trip of line 86 crosses the border between the known world and the existences that, for some reason, were left on its margins. For seventeen years, Marta Amaral has driven this route, coexisting with passengers for whom time, death, and reality itself seem to obey particular rules. The Passengers Who Never Got Off explores memory, grief, motherhood, and the desire to recover what life has taken from us. In a universe where abandoned possibilities continue to exist, the story investigates the limits of belonging, the consequences of our choices, and the difficult coexistence between love and loss. Between the absurd, melancholy, and supernatural horror, the narrative finds in the small everyday intimacies some of the most unsettling questions of human existence.