Mandalay

There is a curious term in Japanese that describes the anguish of those who don't know how to seize the day, swamped in their daily duties and who end up staying up all night, trying to reverse this infamous prospect. Here are two texts that seek to explore part of that term, which even escaped the mind of the one who writes to you. Using the charismatic personality of Fugita Tatara.

Mandalay

For those who lead their partner in a room full of other couples, dancing for the attention of the largest number of judges, the metaphorical act of "opening the door" so that she feels safe in her driving is uniquely and primarily of the conductor but unfortunately, to Chinatsu's almost complete dismay, Tatara was no ordinary conductor. Who would open the door for her if Tatara was content with just a crack? [ tatara centered ]

Mandalay

At first there was the strangeness present between the two, with crossed looks and insecurity, so that strong bonds were created through dance and thus a unique devotion forged the friendship that Chinatsu and Tatara created with their own hands (and feet, with rhythmic steps). ). [tataraxchinatsu]

Mandalay

For Tatara, dancing was as liberating as learning to fly was for a bird. As his body passed through the hall, he could feel it little by little, his emotions coming to the surface and showing in his dance. Dancing was the best way he had to express himself. [ tatara centered ]

Mandalay

For a couple to do well in competitive dancing, trust is needed on both sides. Chinatsu only had problems with that part. [chinatsu centered]

YuiSama

Kiyoharu and Tatara dance to the tune of love...