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View profileO tempo leva tudo. O que você quer e o que não. O tempo leva tudo. O tempo arrasa tudo. E, no final, só resta a escurid&...
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And there you have it, beautiful gallery. How are you? Today I bring you my newest story Girl in Glass. And before you get slightly disgusted, scared and see 'she' turn to glass, read a few brief warnings: ➪ Copying in whole or in part of this work is strictly prohibited. Plagiarism is a crime, besides being ugly as hell; ➪ The tale features graphic violence, so proceed at your own risk; ➪ Tale I from the collection 'Apotheosis'.
Story Statistics
Technical Details & Updates
First Published
1 de junho de 2016
Last Updated
1 de junho de 2016
Editorial Status
Completed
Language
Português (Brasil)
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Clara dá aulas de português para estrangeiros e faz magia desde pequena. Joana só sabe da primeira parte. Até aparecer para um café dizendo que visitou a escola onde a amiga trabalha, numa cidade que não aparece no mapa. A primeira pista está num material didático: alguém está ensinando pessoas comuns a encontrar lugares mágicos sem explicar o que vão descobrir. Os percursos levam a uma biblioteca fechada, documentos alterados e moradores que não querem ver suas casas transformadas em cenário de exercício. Com a confiança da amiga abalada, Clara precisa descobrir quem está distribuindo aquelas instruções e por quê. E explicar há quanto tempo vinha deixando Joana do lado de fora.
A photography student opens a metal box forgotten at the back of his grandfather's closet. Inside: old negatives, notebooks his grandfather never let anyone read, a sheet music dedicated to someone no one in the family knows, and a little red beanie that, after thirteen years stored away, is still warm. The grandfather can no longer travel. The answers stayed in the North, in a village that may not even exist anymore. So the grandson goes in his place, in the middle of the Círio de Nazaré, with a camera, a best friend who refuses to stay home, and the feeling that some photos hold more than they show. Twelve photos. Eleven empty places. And what was left out of the frame.
For years, Lídia Sampaio considered the dogs of Jacarandás Street an assault on civilized coexistence. So when a morning dawns without a single bark, her first reaction is gratitude. The gratitude, however, does not last long. In Vila Olaria, animals begin to disappear, inexplicable marks appear on the walls, and certain houses begin to harbor spaces that should never exist. While the residents seek explanations reasonable enough to continue their routines, Lídia discovers that there are far worse inconveniences than a noisy neighborhood. Between supernatural horror, everyday absurdity, and the melancholy of small absences, the tale investigates what we have learned to ignore, especially when its warnings blend with the usual noises of life.
A ideia do livro é contar a história de duas pessoas que construíram uma conexão especial, mas que, entre escolhas, circunstâncias e sentimentos não expressados, acabaram se afastando. Uma história sobre amor, saudade, lembranças e a dificuldade de aceitar que alguém tão próximo pode se tornar tão distante.







