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Sobre mim...bem, não há nada muito interessante para dizer. Gosto de ler, de ouvir música, dormir (quem não?) e de vez em quando escrevo. &q...
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How can this story be described? Perhaps, it could be compared to a summer rain. Or rather, with a storm. The ones that start without any warning and destroy everything where they go. I met him after a disappointment and in the hope of being resewn I let him in. Little did he know the mistake he was making. The sewing ended up taking place, but instead of mending the broken heart, a patchwork quilt was made. Scraps of memories of what could be and wasn't.
Everything takes place a long time ago. What are we willing to lose in the name of love? Some may lose everything in the name of this powerful feeling, while others are not open to the possibility. Often love hurts rather than heals and cannot be built on lies. "We can only really love someone if we are able to love ourselves and see the other as he is".
Alfredo is about to say goodbye to his best friend, with whom he is in love. It's the last summer before seeing him leave for college, and he needs to figure out how to deal with his emotions and not do anything desperate.
In Santa Amélia, the last trip of line 86 crosses the border between the known world and the existences that, for some reason, were left on its margins. For seventeen years, Marta Amaral has driven this route, coexisting with passengers for whom time, death, and reality itself seem to obey particular rules. The Passengers Who Never Got Off explores memory, grief, motherhood, and the desire to recover what life has taken from us. In a universe where abandoned possibilities continue to exist, the story investigates the limits of belonging, the consequences of our choices, and the difficult coexistence between love and loss. Between the absurd, melancholy, and supernatural horror, the narrative finds in the small everyday intimacies some of the most unsettling questions of human existence.
Entre declarações mal-sucedidas, humilhações em shopping e extensas sessões de choro no banheiro, Third decide dar uma chance a um encontro às cegas o que vira sua vida de ponta-cabeça. Ou Khai ironicamente nota seus sentimentos ao perceber que está prestes a perder o melhor amigo.
No início do século XX, José Eugênio deixa o Brasil para assumir seu lugar como herdeiro de Gardenhall, uma das casas mais tradicionais da aristocracia inglesa. Jovem, negro, brasileiro e cercado por uma sociedade que o observa com desconfiança, ele precisará aprender a ser um lorde sob a rígida tutela de Lady Macbeth Evayne. Mas, em Collins, reputações são frágeis, segredos viram espetáculo e até as famílias mais respeitáveis escondem escândalos. Entre intrigas, mistérios e um romance proibido com seu próprio tutor, Eugênio descobrirá que talvez o maior desafio não seja se tornar o Lorde das Rosas, mas decidir que tipo de homem deseja ser.